ARTIST IN RESIDENCE - FALL 2023
We launched our inaugural Artist in Residence program that ran from September to December 2023. Our residencies are intended to be production focused, supporting underserved sculptors and installation artists at pivotal moments in their careers. Over the past three years, WORTHLESSSTUDIOS has provided mission-driven opportunities for artists through their open calls for FREE FILM : NYC, the Plywood Protection Project, and 1-800 Happy Birthday.
This residency expands on our comprehensive approach to helping artists realize their creative visions while ensuring they have resources to advance their skills and careers. This program provides support for artists working in sculpture and installation to advance their fabrication and production processes while making a specific artwork. The first cohort was welcomed to WORTHLESSSTUDIOS' new 10,000 square-foot facility at 7 Knickerbocker Avenue in Brooklyn. Our residencies aspires to include Black, Indigenous, people of color, LGBTQIAP+, women, nonbinary, and disabled artists, to fulfill the urgent need for fabrication tools, financial support, technical assistance, and space that so many underrepresented artists seek.
DETAILS
Who: 5-6 young career artists working in sculpture or installation
Where: WORTHLESSSTUDIOS, 7 Knickerbocker Avenue, Brooklyn, NY 11237
When:
Open Call: May 10th - June 7th, 2023
Artist Cohort Announced: Early July
Residency: September 6th - December 1st, 2023
Exhibition: December 1st - December 17th, 2023
What we offer
Access to WORTHLESSSTUDIOS
$3,000 material stipend
$1,500 artist stipend
Personal semi-private studio space within WORTHLESSSTUDIOS (~500 sqft)
Culminating exhibition
Artsy page
Facilitation of Open Studio days
Production of Artist Panels
Access to Materials For the Arts
Access to technical assistance
Access to WORTHLESSSTUDIOS’ fabrication facility
What artists contribute
Time and creativity in pursuing your personal career as an artist by working to realize a new art object for your portfolio
Attendance and participation in Artist Panels, Open Studios and culminating exhibition.
2 days of front desk coverage during exhibition (December 1-18)
Artist resOurCES
Public Programming
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Studio available to residents 24/7
Workshop available during WORTHLESSSTUDIOS open hours (~40 hours per week)
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Woodworking studio includes:
- rasps, ryobas, hand saws, chisels, mallets
- gauges, marking and measuring tools
- SawStop table saw
- Bosch Router and bits
- 12” Drill press
- Milwaukee 12” Chop Saw
- Contractor table saw
- Drills and Drivers
- Jigsaw and Oscillating Multi-Tool
Metalworking studio includes:
- Miller Multiprocess welder (TIG and MIG)
- Millermatic MIG
- Vises, hammers, chisels
- Manual Shears, Cutting tools, Snips
- Metabo Abrasive Chop Saw
- Metabo Angle grinders
- Sawzall
- Impact Wrench
Wide selection of Hand Tools and measuring tools
20gal and 5 gal Aircompressors and tools
Upholstery Tools
120V and 220V outlets
Tape, Glue, Adhesive expendables and PPE
Lots of scrap wood, softwood, 2x4s
Contstruction Tools and Materials including Demolition tools and Finishes
Material Handling equipment including 1Ton Gantry and Pallet Jack
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ARTISTRY: Does the artist shows a dedication to their practice and extensive body of work such that if they were provided additional access to materials, tools and technical assistance the work might reach a new level of audience and interest that could further their career and impact.
NEED: Does the artist demonstrate a need for a larger space and technical assistance to realize a creative project?
FEASIBILITY: Does the artist’s previous work support the ability to successfully realize a large-scale project with support? Can the proposed artwork reasonably be constructed within the timeline and budget?
RELEVANCE: Will the artist’s work foster conversation, an exchange of ideas and perspectives? Does the work relate to the fabrication specialization of the WORTHLESSSTUDIOS residency?
REPRESENTATION: What voices does the artist or the artist's work represent? WORTHLESSSTUDIOS supports artists from communities that have been historically underrepresented in the art world particularly those who identify as BIPOC, AAPI, women, disabled, and LGBTQIAP+.
SOCIAL: What are the social themes that this artist engages? How does their work impact the people affected by those social themes?
PUBLIC ACCESSIBILITY: Is this artist's work demonstrably accessible to the public? Does the artist have interest in or experience with teaching or engaging the public with their work?
COMMUNITY ENGAGEMENT: Does the artist make site specific work that is rooted in the communities the artists work addresses and serves? Does the artist demonstrate a history of community based work that goes beyond production of objects for commercial benefit?
TIMING: Would completing a WORTHLESSSTUDIOS residency make a meaningful difference in the trajectory of the artists work at this time?
Budget template
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Open Studios 1: September 29th, 5-10pm
Open Studios 2: November 3rd, 5-10pm
WORTHLESSSTUDIOS’ Open Studios are a great way for emerging artists to showcase their work in progress and increase their exposure to new audiences.
Our Open Studios are a unique opportunity to experience art in a personal and intimate setting, to connect with the artists and to gain a deeper understanding of each artist’s work.
This program is FREE and open to the public.
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WORTHLESSSTUDIOS’ Artist Panels are digitally recorded and broadcasted conversations between artists, WORTHLESSSTUDIOS’ Founder Neil Hamamoto and curatorial guests.
The Artist Panels provide our artists the opportunity to speak about their practice that they can easily share to a wider audience.
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Opening Reception: December 1st, 5-10pm
December 1st through December 17th, 3pm to 8pm
WORTHLESSSTUDIOS is pleased to offer our artists a platform to exhibit and showcase their work to conclude the residency program.
The exhibition will take place at WORTHLESSSTUDIOS where the artists will have worked over the last three months. The exhibition space is meant to blur the lines between a gallery box and artist studio giving the audience an experience that highlights the process each artist undergoes to make the work real.
MEET THE JURY
salome asega
Salome Asega is an artist and researcher whose practice celebrates dissensus and multivocality. She is currently a Technology Fellow in the Ford Foundation's Creativity and Free Expression program area. Salome is also the co-host of speculative talk show Hyperorpia: 20/30 Vision on bel-air radio, and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at The New School in Design and Technology where she also teaches.
eric fischl
Eric Fischl is an internationally acclaimed American painter and sculptor. His artwork is represented in many distinguished museums throughout the world and has been featured in over one thousand publications. His extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.
Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others. Fischl has collaborated with other artists and authors, including E.L. Doctorow, Allen Ginsberg, Jamaica Kincaid, Jerry Saltz and Frederic Tuten.
tanda francis
Tanda Francis is a Brooklyn based artist with a primary focus of creating public art including monumental African heads. Her work addresses diasporic African people who are too often underrepresented in public art. She sees the rituals and customs rooted in a spiritual and ancestral past as a significant means of understanding and addressing the contemporary and future condition facing humanity. She uses her work to activate a dialog of universal origin to cross cultural barriers.
Francis explores digital and traditional forms of art while working and exhibiting her art in solo and group exhibitions locally and internationally. She has created several site-specific monumental public art pieces including BIGGIE (2014), New York City; Everyone Breaks, Riverside Park, New York City (2015-2016); And We Breath (collaborative), Van Cortlandt Park, New York City (2015-2016); Take Me With You, Socrates Sculpture Park, New York City, (2017-2018), Adorn Me, Fort Greene Park, Brooklyn (2017-2018) among others.
NEIL HAMAMOTO
Neil Hamamoto is a conceptual artist making work in sculpture, painting, photography and installation. He is also the Founder and Artistic Director for Brooklyn based art not-for-profit, WORTHLESSSTUDIOS.
PATTON HINDLE
Patton Hindle is the Head of Arts at Kickstarter, where she oversees the visual and performing arts categories, working closely with artists, collectives, arts organizations, museums, and cultural institutions around the world to help them realize creative and ambitious ideas. Hindle was previously the co-founder of Chinatown gallery yours mine & ours and the Director of Gallery and Institutional Partnerships at Artspace. She is a co-author of the second edition of How to Start and Run a Commercial Art Gallery and was a 2019 Catherine Hannah Behrend Fellow at 92Y Women inPower in New York. Additionally, Hindle regularly advises for-profit and nonprofit arts organizations on strategic business development. She serves on the Board of Directors of The Laundromat Project, the Board of Advisors of the Arts Funders Forum, and Americans for the Arts’ Inclusive Creative Economy Advisory Group. Hindle was raised in London and attended university in Boston.
BROOKE KAMIN RAPAPORT
Brooke Kamin Rapaport is Artistic Director and Martin Friedman Chief Curator at Madison Square Park Conservancy in New York where she is responsible for the public sculpture program of commissioned work by contemporary artists.. She was Commissioner and Curator of the United States Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty / Libertà (2019). She is founder of Public Art Consortium, a national initiative of museum, public art, and sculpture park curators (2017 launch). She was a curator in the contemporary art department at The Brooklyn Museum and a guest curator at The Jewish Museum in New York.
Rapaport sits on the boards of three artist-endowed foundations: Adolph and Esther Gottlieb Foundation, Al Held Foundation, and von Rydingsvard and Greengard Foundation. She is a former member of the board of Socrates Sculpture Park and former Chair of the Advisory Board, Mead Art Museum. She continues to sit on the Mead Board. Rapaport received an honorary Doctor of Arts from Amherst College (2022).
jasmine wahi
Jasmine Wahi is the Founder and Co-Director of Project for Empty Space, a nonprofit organization rooted in Newark, NJ, and soon to be in New York City. Her multi-faceted curatorial practice predominantly focuses on issues of femme empowerment, complicating binary structures within social discourses, and exploring multi-positional cultural identities through the lens of intersectional feminism.
While co-directing PES, Ms. Wahi became the inaugural Holly Block Social Justice Curator at the Bronx Museum of the Arts in 2020. While at the museum she curated several renowned exhibitions, including Born In Flames: Feminist Futures and Wardell Milan: AMERIKA. God Bless You If It's Good To You, which were oriented around the thesis that visibility is the primary tenet of Social Justice. In addition to her work at more formal institutions, Ms. Wahi also curates exhibitions and lectures internationally on dismantling White Supremacist, Capitalist, Patriarchal structures in the cultural realm and beyond.
kennedy yanko
Kennedy Yanko (b. 1988, St. Louis, MO) is a sculptor and installation artist working in found metal and paint skin. Yanko deploys her materials in ways that explore the limitations of optic vision, underlining the opportunities we miss when looking with eyes alone. Her methods reflect a dual abstract expressionist-surrealist approach that centers the seen and unseen factors that affect, contribute to, and moderate human experience.
Since 2019, Yanko has debuted six solo exhibitions across the US and abroad and has revealed four major installations: her first public sculpture, 3 WAYS, in collaboration with The Helis Foundation and the Ogden Museum of Art (New Orleans, LA); White, Passing at the Rubell Museum (Miami, FL), By means other than the known senses at the Unlimited Section of Art Basel (Basel, Switzerland), Landscape 1 at the Parrish Museum, curated by Mickalene Thomas and Racquel Chevremont (Water Mill, NY) and No more Drama at the Brooklyn Museum (Brooklyn, NY).