WORTHLESSSTUDIOS’ Artist Residency Program (WARP) provides state-of-the-art fabrication resources, space, generous funding, and industry-leading project management support to artists as they create ambitious, large-scale sculpture.

This residency embodies WORTHLESSSTUDIOS’ core mission to support boundary-pushing artists to realize visionary projects. WARP supports artists at an important juncture in their careers while embracing the entire creative process from start to finish.

This program is done in partnership with UAP, a leading global design and public art fabrication studio in upstate New York that provides fabrication support: from traditional bronze casting and metal fabrication to advanced digital, robotic, and large-scale public sculpture production.

RESIDENT GETS

  • $45,000 fabrication budget

  • $5,000 artist stipend

  • 5 to 7 weeks of access to UAP and fabrication curriculum

  • Private studio space at UAP

  • Project management support

  • Housing and transportation stipend 

  • Labor support stipend to be used for studio assistants

  • Press packet materials

 

Applications for 2026 have now closed. Sign up for our newsletter below to say up to date on our open calls.

 

2025 WARP RESIDENT: ELAINE CAMERON-WEIR

Elaine Cameron-Weir’s work is informed by the array of systems and structures that humans have created to deal with the unknown – be that through scientific inquiry, religion, modes of governance or creative practices.

Her sculptures incorporate part-objects repurposed from their scientific, medical, military or faith-giving functions into reliquaries or representations of larger systems of belief and power.

Her installations combine these found fragments with definitively handmade elements, using techniques as varied as vitreous enamelling, glass casting, metalworking and leather tooling. Together these arrangements are often suspended from the ceiling, seemingly levitating from the ground, yet being simultaneously held in tension by gravity and an architectural framework of pulleys and cables. Materials can also be ephemeral, incorporating heat, light and scent, suggesting transformations of solid matter into dust or diffusion into atmosphere.

Cameron-Weir’s sculptures often form uncanny mirror images, through symmetrical details that emphasise the dualistic nature of any narrative or narrator. Although her practice resists straightforward characterization or iconographic interpretation, Cameron-Weir’s works offer the possibility of passage through a portal or beyond a threshold, further facilitating the transition from one state to the next.

About Elaine Cameron-Weir

western procession of oldest wounds (hit parade) wrecked high altar of buying tears
2024
aluminum horseshoes, conveyor belt, horseshoe nails, stainless steel, barrels, lead, steel grit, liquid candles
Installed: 396.2 x 1319.5 x 429.3 cm | 156 x 519 1/2 x 169 in

 

Previous SCULPTORS WE’VE WORKED WITH


selection committee

From a shortlist of final candidates, the 2026 WARP Artist will be selected by the WARP Selection Committee. The WARP Selection Committee brings together a remarkable group of artists, curators, collectors, philanthropists, and cultural leaders who believe artists can create transformative work when provided the right resources, materials, and support—each lending their insight and influence to help select the 2026 WARP artist.

The WARP Selection Committee offers members a direct and meaningful role in shaping the future of contemporary sculpture. It’s an opportunity to champion an artist from concept to completion, supporting the fabrication of a new large-scale work.

The current WARP Selection Committee includes:

Malik Al-Mahrouky

kurimanzutto

Olivier Babin

Artist

Deja Belardo

The Shed

Emilia Boerjesson

Placemeant

Miguel Braceli

Artist

Margot Bram

Bram Fine Art

Jean Cooney

Times Square Arts

Tara Downs

Tara Downs

Natalie Jackson & Ben Dean

Brandt Jackson Foundation

Ellie Edelman

Studio.Edelman

Josh Fayer

Room 57 Gallery

Taylor Fisch

kurimanzutto

Timur Galen

Creative Capital for Artist Board of Directors

David Hamamoto

WORTHLESSSTUDIOS

Neil Hamamoto

WORTHLESSSTUDIOS, Artist

Ann Harakawa

Two Twelve Design

Kendal Henry

NYC Department of Cultural Affairs

Hannah Hoffman

Hoffman Donahue

Katie Hollander

RXArt

Grace Hoyt

Google

Sally Hughes

David Kordansky Gallery

Elena McCallister Jobs

Impact Media

Jake Joyce

UAP Company

Fitzhugh Karol

Artist

John Koga

Artist

Jonathan Langer

Fireside Investments

Serena "Bunny" Laughlin

Audrey Lopez

Rose Kennedy Greenway Conservancy

Christine Mack

Mack Art Foundation

May Makki

Independent Curator

Elizabeth Masella

NYC Parks Department

Tomokazu Matsuyama

Artist

Ken Maxwell

Gagosian

Justin Metz

Related Companies

Sohrab Mohebbi

Director, Sculpture Center

Lily Mortimer

David Zwirner

Allen Murabayashi

Photographer

Caroline Orr

Merrill Lynch

Charlie Pasciucco

Gagosian

Michael Pucci

Ralph Pucci

Abby Pucker

Gertie

Stephen Reily

ReMuseum

Harmonia Rosales

Artist

Meg & David Roth

Ian Singleton

Harvest Partners

Dan Tobin

UAP Company

Philip Tom

Avertix

Jacob Trouba

NHL Player, Artist

Jasmin Tsou

Lisson Gallery

Mike Watanabe

Honolulu Museum of Art

Tiffany Zabludowicz

Times Square Space

Marlene Zwirner

David Zwirner


WHY SCULPTURE?

Sculpture is one of the most powerful mediums to honor history, define culture, and share stories. From the ancient Egyptian pyramids and Michelangelo’s David to modern works like Cloud Gate (more commonly known as The Bean) in Chicago, sculptures embody the values and achievements of their time. They serve as cultural symbols from diverse perspectives and identities looking to preserve an idea in history. Through both their physical presence and underlying message, sculptures are impactful in their ability to carry on meaning and inspire future generations. Sculpture has long been an art form for advancing creative and technical boundaries. As artists embrace new materials and techniques, sculpture has evolved, mirroring changes in political power, religious beliefs, and artistic innovation. Sculptures have traditionally provided communities with accessible, immersive art experiences, making culture and memory tangible and rooted in place. The past comes alive through sculpture, shaping how we see ourselves and connect across time and space. WARP carries this tradition forward, empowering artists to create works that could become cultural touchstones and historical landmarks.