WORTHLESSSTUDIOS’ Artist Residency Program (WARP) provides state-of-the-art fabrication resources, space, generous funding, and industry-leading project management support to artists as they create ambitious, large-scale sculpture.
This residency embodies WORTHLESSSTUDIOS’ core mission to support boundary-pushing artists to realize visionary projects. WARP supports artists at an important juncture in their careers while embracing the entire creative process from start to finish.
This program is done in partnership with UAP, a leading global design and public art fabrication studio in upstate New York that provides fabrication support: from traditional bronze casting and metal fabrication to advanced digital, robotic, and large-scale public sculpture production.
RESIDENT GETS
$45,000 fabrication budget
$5,000 artist stipend
5 to 7 weeks of access to UAP and fabrication curriculum
Private studio space at UAP
Project management support
Housing and transportation stipend
Labor support stipend to be used for studio assistants
Press packet materials
Applications for 2026 have now closed. Sign up for our newsletter below to say up to date on our open calls.
2025 WARP RESIDENT: ELAINE CAMERON-WEIR
Elaine Cameron-Weir’s work is informed by the array of systems and structures that humans have created to deal with the unknown – be that through scientific inquiry, religion, modes of governance or creative practices.
Her sculptures incorporate part-objects repurposed from their scientific, medical, military or faith-giving functions into reliquaries or representations of larger systems of belief and power.
Her installations combine these found fragments with definitively handmade elements, using techniques as varied as vitreous enamelling, glass casting, metalworking and leather tooling. Together these arrangements are often suspended from the ceiling, seemingly levitating from the ground, yet being simultaneously held in tension by gravity and an architectural framework of pulleys and cables. Materials can also be ephemeral, incorporating heat, light and scent, suggesting transformations of solid matter into dust or diffusion into atmosphere.
Cameron-Weir’s sculptures often form uncanny mirror images, through symmetrical details that emphasise the dualistic nature of any narrative or narrator. Although her practice resists straightforward characterization or iconographic interpretation, Cameron-Weir’s works offer the possibility of passage through a portal or beyond a threshold, further facilitating the transition from one state to the next.
western procession of oldest wounds (hit parade) wrecked high altar of buying tears
2024
aluminum horseshoes, conveyor belt, horseshoe nails, stainless steel, barrels, lead, steel grit, liquid candles
Installed: 396.2 x 1319.5 x 429.3 cm | 156 x 519 1/2 x 169 in
Previous SCULPTORS WE’VE WORKED WITH
selection committee
From a shortlist of final candidates, the 2026 WARP Artist will be selected by the WARP Selection Committee. The WARP Selection Committee brings together a remarkable group of artists, curators, collectors, philanthropists, and cultural leaders who believe artists can create transformative work when provided the right resources, materials, and support—each lending their insight and influence to help select the 2026 WARP artist.
The WARP Selection Committee offers members a direct and meaningful role in shaping the future of contemporary sculpture. It’s an opportunity to champion an artist from concept to completion, supporting the fabrication of a new large-scale work.
The current WARP Selection Committee includes:
Malik Al-Mahrouky
kurimanzutto
Olivier Babin
Artist
Deja Belardo
The Shed
Emilia Boerjesson
Placemeant
Miguel Braceli
Artist
Margot Bram
Bram Fine Art
Jean Cooney
Times Square Arts
Tara Downs
Tara Downs
Natalie Jackson & Ben Dean
Brandt Jackson Foundation
Ellie Edelman
Studio.Edelman
Josh Fayer
Room 57 Gallery
Taylor Fisch
kurimanzutto
Timur Galen
Creative Capital for Artist Board of Directors
David Hamamoto
WORTHLESSSTUDIOS
Neil Hamamoto
WORTHLESSSTUDIOS, Artist
Ann Harakawa
Two Twelve Design
Kendal Henry
NYC Department of Cultural Affairs
Hannah Hoffman
Hoffman Donahue
Katie Hollander
RXArt
Grace Hoyt
Sally Hughes
David Kordansky Gallery
Elena McCallister Jobs
Impact Media
Jake Joyce
UAP Company
Fitzhugh Karol
Artist
John Koga
Artist
Jonathan Langer
Fireside Investments
Serena "Bunny" Laughlin
Audrey Lopez
Rose Kennedy Greenway Conservancy
Christine Mack
Mack Art Foundation
May Makki
Independent Curator
Elizabeth Masella
NYC Parks Department
Tomokazu Matsuyama
Artist
Ken Maxwell
Gagosian
Justin Metz
Related Companies
Sohrab Mohebbi
Director, Sculpture Center
Lily Mortimer
David Zwirner
Allen Murabayashi
Photographer
Caroline Orr
Merrill Lynch
Charlie Pasciucco
Gagosian
Michael Pucci
Ralph Pucci
Abby Pucker
Gertie
Stephen Reily
ReMuseum
Harmonia Rosales
Artist
Meg & David Roth
Ian Singleton
Harvest Partners
Dan Tobin
UAP Company
Philip Tom
Avertix
Jacob Trouba
NHL Player, Artist
Jasmin Tsou
Lisson Gallery
Mike Watanabe
Honolulu Museum of Art
Tiffany Zabludowicz
Times Square Space
Marlene Zwirner
David Zwirner
WHY SCULPTURE?
Sculpture is one of the most powerful mediums to honor history, define culture, and share stories. From the ancient Egyptian pyramids and Michelangelo’s David to modern works like Cloud Gate (more commonly known as The Bean) in Chicago, sculptures embody the values and achievements of their time. They serve as cultural symbols from diverse perspectives and identities looking to preserve an idea in history. Through both their physical presence and underlying message, sculptures are impactful in their ability to carry on meaning and inspire future generations. Sculpture has long been an art form for advancing creative and technical boundaries. As artists embrace new materials and techniques, sculpture has evolved, mirroring changes in political power, religious beliefs, and artistic innovation. Sculptures have traditionally provided communities with accessible, immersive art experiences, making culture and memory tangible and rooted in place. The past comes alive through sculpture, shaping how we see ourselves and connect across time and space. WARP carries this tradition forward, empowering artists to create works that could become cultural touchstones and historical landmarks.
